Taught by Matt Latham, the Premiere Pro for Features and Commercials class is for those who are interested in making the most of Premiere for use on feature films, short films, and commercials. This class will show you how to customize the editorial experience, quickly sync and organize projects, edit collaboratively, avoid crashes and keep the program snappy, create polished effects and instantly integrate the power of the rest of the Adobe suite (After Effects, Photoshop, Audition, etc.) via Dynamic Linking, and finally, to ensure a smooth turnover experience to separate sound and color departments.

Taught by Emily Streetz, the Assistant Editing for Scripted Television class serves to give a solid base understanding of assisting for scripted television series. Beginner to intermediate assistant editors will learn the the workflows of editorial including: paperwork, dailies, temp sound and music, basic VFX editing, and more!

Taught by Ralph Jean-Pierre, the Sound Editing and Design for the Cutting Room course is for those interested in taking their sound design skills to the next level. The class focuses on sound editing and design for scripted projects and covers the best tools, techniques, and workflows to create complex, immersive sound design.

Taught by Ryan Westphal, the Avid Effects for the Cutting Room class is a thorough introduction to the effects tools available in Avid Media Composer and will focus on creating temp VFX and titles in an efficient but effective way using the tools that come with Avid. This class is designed with scripted workflows in mind but will also benefit documentary and unscripted work.